[ LOADING SYSTEM ]
SELECTED WORK
ROLE: DIRECTOR | EDITOR | EXECUTIVE PRODUCERCOMMERCIAL
QURAN FOR THE BLIND
Muslim World League / MBC | Broadcast Campaign
Intent: Cultural scale and inclusive auditory design.
Execution: A broadcast campaign reaching an audience of over 20 million across five nations cannot afford emotional ambiguity. The directive was to architect a cultural moment during peak Ramadan viewership without relying on visual excess. By anchoring the narrative entirely in auditory design—building an inclusive, visceral experience around the Electronic Quran for the visually impaired—the film demanded a stripped-back, highly controlled aesthetic. It bypassed traditional broadcast sentimentality in favor of profound human restraint. It proves that emotional resonance is achieved by what you choose to withhold, not what you choose to show. Scale was achieved through structural discipline, yielding over 1.4 million organic engagements.
ROLE: AUTHORNOVEL
OBEDIENCE IS HAPPINESS: THE PROMISES OF TOMORROW
Y.K.Y. Sadek | Original Narrative IP
Intent: World-building, transmedia architecture, and long-form narrative control.
Execution: A 370-page exploration of human compliance, identity fragmentation, and technological dystopia. This is not merely literature; it is the foundational architecture for an expanding intellectual property ecosystem. Operating at the intersection of dark comedy satire and psychological techno-thriller, the narrative isolates the exact mechanics of systemic control and individual autonomy. The text functions as a definitive proof-of-concept—demonstrating the capacity to build, sustain, and manipulate a complex, multi-character universe without the immediate aid of a camera. Pure directorial authority, engineered from the ground up for cinematic adaptation.
ROLE: DIRECTOR | EDITOR NARRATIVE
WEAR MY SHOES FOR FOUR MINUTES
London X4 Film Festival | Short Film
Intent: Psychological tension and narrative pacing.
Execution: An uncompromising, visceral exploration of trauma, PTSD, and the claustrophobia of domestic abuse. Engineered as an experimental short, it forces the viewer into the psychological reality of a fractured mind attempting to survive a 'sick society.' The directorial approach strips away comfortable cinematic distance. It utilizes suffocating pacing, raw kinetic framing, and overlapping auditory panic to trap the audience in a four-minute cycle of realization and terror. It is an exercise in absolute narrative tension—utilizing the camera not as a passive observer, but as an active participant in psychological warfare.
ROLE: DIRECTOR | EDITOR | EXECUTIVE PRODUCERMUSIC VIDEO
SICK SOCIETY
Independent Music Video | 3Afreet
Intent: Aesthetic dominance and narrative momentum under absolute resource constraints.
Execution: Engineered as a kinetic exploration of cultural angst, this project strips away the safety nets of traditional, high-budget production. It relies entirely on raw directorial momentum, aggressive handheld pacing, and environmental friction. By embracing absolute resource constraints, the visual language prioritizes visceral authenticity over artificial polish. It forces the viewer into the rhythm of the streets, utilizing shadow, rapid blocking, and stark contrast to sustain energy. It stands as a definitive proof-of-concept that aesthetic dominance and scale are not merely purchased with massive crew budgets—they are commanded through an unflinching eye for reality and absolute control over the edit.